Playwrights' Bios - Fall 2000 Reading Series
Hilary Bell (EYE
OF THE STORM) Hilary's produced plays include "Fortune," "Cheering
Up Mother" and "Conversations With Jesus." "Shot While Dancing" was
a 1999 Susan Smith Blackburn finalist. "Wolf Lullaby" has been produced
internationally, including US productions by Steppenwolf and the Atlantic.
It received the Jill Blewett Playwrights' Award, and is currently playing
in Sweden. "The Falls" (premiering in Sydney last July) and "The
Eye of the Storm" were workshopped at the Eugene O'Neill National Playwrights'
Conference, the latter winning the Eric Kocher Playwrights' Award.
Radio plays "Wreckage," "The Anatomy Lesson
of Doctor Ruysch," "Cruisin'," "Love's Delightful Labors" and an adaptation
of "Wolf Lullaby" were commissioned and produced by the Australian Broadcasting
Commission.
Libretti include the song cycle "Talk Show,"
ten-minute opera "Crumbs from the Table of Love," musical "The Wedding
Song," and opera "Mrs. Satan." She is a graduate of the Juilliard
Playwrights' Studio, and a recipient of the Philip Parsons Young
Playwrights' Award and the Aurealis Award.
Brooke Berman
(THE TRIPLE HAPPINESS) Brooke Berman is a recent winner of the Helen
Merrill Award and a two-time winner of the Francesca Primus Award, first
in 1998 for "Wonderland" and again in 2000 for "Playing House." Brooke's
ten minute play "Dancing with a Devil" is a co- winner of the Heideman
Award at Actors Theater of Louisville and was presented as part of the
1999 Humana Festival. "Dancing with a Devil" was nominated for an
American Theater Critics Best New Play award and had its second production
at City Theater in Miami, Florida. The play is published in two anthologies.
Ms. Berman's plays have been read and workshopped
at Lincoln Center, the Denver Center Theater Company, Dance Theater Workshop,
Soho Rep, La Mama Galleria, HERE, and the Juilliard School;
and produced at the Humana Festival (ATL), Soho Rep, HERE,
The Ohio Theater, One Dream, New Georges, Naked Angels, Urban Empire
at Playwrights Horizons, and Nada. She is a recipient of a Lila Acheson
Wallace American Playwrights Fellowship at the Juilliard School, a Lecomte
du Nouy award ( in both 1998 and 1999) and an Independent Artist
Challenge grant, the latter of which allows generative artists money to
problem-solve issues in the arts community at large. She has
been a finalist for both a Jerome Fellowship at the Playwrights' Center
in Minneapolis and a Playwrighting Fellowship at Manhattan Theater Club.
She is a member of the Soho Rep Writer/Director Lab.
Originally a solo performer, Ms. Berman
wrote and performed her autobiographical monologues between 1990 -1995.
Ms. Berman trained with Anne Bogart and has studied playwriting with Marsha
Norman, Christopher Durang, and Jon Robin Baitz and Maria Irene Fornes.
She currently teaches process-oriented creative writing workshops to adults
and coaches solo performers. Her short fiction and nonfiction essays
have appeared on the web. She most recently assisted Maria Irene
Fornes on "Letters From Cuba" at the Signature Theater.
Ruth Margraff (RED
FROGS) (Librettist/Lyricist/Playwright) Ruth Margraff's most recent
work includes NIGHT VISION: A NEW THIRD TO FIRST WORLD VAMPYRE OPERA written
with composer/baritone saxophonist Fred Ho. NIGHT VISION was commissioned
by two Multi-Arts Project grants from the Rockefeller Foundation, and--with
production funding from the Jerome Foundation, the NEA and NYSCA--premiered
at HERE Arts in February, 2000 in New York. Ruth co-wrote ONCE UPON
A TIME IN CHINESE AMERICAÖA MARTIAL ARTS EPIC with Fred Ho for the JVC
Jazz Festival at the John Harms Center for the Arts and the Guggenheim
Museum. ONCE will be featured in the Brooklyn Academy of Music's
2001 Next Wave Festival and will tour in 2001.
Ruth is co-founder of HERE Theater's "Opera
Project" where she wrote THE CRY PITCH CARROLLS with composer/violinist
Matthew which
was featured at the 1999 Village Voice/Obie
Awards. An Austin production of THE CRY PITCH CARROLLS at Salvage
Vanguard Theater was nominated for 7 Austin Critics CircleAwards and 4
nominations for the 1999 B. Iden Payne Awards including "Outstanding Musical"
this year. Ruth's other work includes THE ELEKTRA FUGUES, CENTAUR
BATTLE OF SAN JACINTO, WALLPAPER PSALM, EXOTICA ORANGE, BACK OF THE DOLLAR
LATIN, LOCKET ARIAS, GAT HIM TO HIS PLACE, ALL THOSE VIOLENT SWEATERS,
FLAGS UNFURLED: 1976, WHEN THE PIE WAS OPEN, BLACK LUNG EXHALING, VINYL
PRESSINGS etc. and have, also, been developed and produced by Joseph Papp's
Public Theater, Lincoln Center Outdoors & Bang-On-A-Can Festival, HERE
Arts, the Kitchen, New York Theater Workshop, Dance Theater Workshop, Hourglass
Group, New Georges, Mabou Mines/Ohio Theater, Workhouse Theater, the Drama
League, the Poetry Project, Gale Gates Co., La Mama Galleria, Greenwich
Street, PS122, Peculiar Works Project, Dixon Place, House of Candles/Mac
Wellman Festival, Grove Street Playhouse, Medicine Show, the Knitting Factory,
Ohio Theater "Ice Factory", Brooklyn College, Columbia University, etc.
(New York); Red Eye, the Walker Art Center (Mpls); Nuyoricans/Theater Double
(Philadelphia); Undermain [1999 Dallas Raven Award nom. for "Best Musical"]
(Dallas); Salvage Vanguard Theater
[B.Iden Payne Award nom./Austin Circle
of Theatres, "Top Ten Best Plays of 1997"/Austin Chronicle]; Candy Factory/NERVE
Dance Co., Frontera @Hyde Park (Austin); Iowa Playwrights' Workshop (Iowa
City); Bottom's Dream [L.A. Weekly "Pick of the Week"] and Audrey Skirball
Kenis (Los Angeles); and the Film Studio (New Zealand).
Her work has been published in NuMuse Anthology
(Brown), Epoch (Cornell), More Monologues For Women By Women (Heineman),
Salvage Vanguard Press, Patterson Literary Review, the Mac Wellman Festival
Journal, Conjunctions:28 "Music Theater Portfolio" (Bard), Downtown Brooklyn
(LIU), EDGE New York, Autonomedia/Big Red Media and Theater in Crisis (Smith
& Kraus). She is one of Paula Vogel's MFA playwright's workshop
graduates from Brown University, a member of a playwrights' lab at the
Public Theater and a NYTW Usual Suspect. Ruth has been the recipient
of an artists' residency with composer Joshua Fried and Iraqi folklorist
Dr. Sa'di Al-Hadithi at the Villa Serbelloni in Bellagio, Italy through
the Foundazione Rockefeller to initiate DESERT SONGS in 1998 and was "artisita
in visita" at La MaMa's Umbria International in Spoleto, Italy. She
has been awarded a 1995-96 Jerome Fellowship at the Playwrights' Center
in Minneapolis, a 1996-97 McKnight Advancement Grant, a 1998 New York State
Council for the Arts Individual Artist grant, and an NEA/TCG 2000-2001
playwriting residency at HERE Arts.
Ruth is currently at work on her new play
RED FROGS: A SLAPSTICK MIRROR FOR THE SUMMER PURGATORIO for the Common
Ground Festival in Los Angeles commissioned by Bottom's Dream Theater.
And she is performing in operatic costume with choreographer Yacov Sharir
and his dance company in Austin, Texas this fall. She has taught
literature, literacy, creative writing and socio-political theory at St.
Joseph's College and Long Island University in Fort Green and Crown Heights,
Brooklyn. She is a member of the Iraqi Liberation Action Committee
and a national member of New Dramatists and an assistant professor of Playwriting
at the University of Texas at Austin.
Kira Obolensky (THE
ADVENTURES OF HERCULINA) Kira Obolensky's plays include ...MODERN
NIGHTMARE, commissioned by the McCarter Theater; REALITY-BASED: PLAYS INSPIRED
BY REAL-LIFE TELEVISION; LOBSTER ALICE , recipient of the 1998 Kesselring
Prize and a finalist for the Susan Smith Blackburn Prize, produced
by the Jungle Theatre in Minneapolis and Playwrights' Horizons in New York;
THE ADVENTURES OF HERCULINA, which received the Honorable Mention for the
Kesselring Prize and the Edith Oliver Award, produced by the Next Theater
in Chicago in 1999, Frank Theatre in 2000 and a finalist for the Steinberg
Award; THE WHALEBONE SONATA, commissioned by Steppenwolf Theatre; THE RETURN
OF DON QUIXOTE, commissioned and produced by Trinity Repertory Company;
and HATE MAIL, written with Bill Corbett, produced by Eye of the Storm
and Primary Stages.
Kira is a graduate of Williams College
and the Juilliard School's Playwriting Program. She is a core member of
the Playwrights' Center in Minneapolis and has received grants from the
Minnesota State Arts Board, the Jerome Foundation, the McKnight Foundation,
a Guggenheim Fellowship in Playwriting, and is currently a Bush Fellow.
She writes about design for such publications as Graphis magazine; a recent
book, "The Not So Big House," co-written with Sarah Susanka, was a best-selling
book about home design. She lives in Minneapolis with her husband,
Irve Dell.
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